Nikon 70-200mm 2.8G ED VR Lens For Nikon best price
Nikon 70-200mm 2.8G ED VR Lens For Nikon best price
This fast f/2.8 Zoom-Nikkor lens is perfect for sports, photojournalism and wildlife photography.
Details Nikon 70-200mm 2.8G ED VR Lens For Nikon Deals
Nikon VR II (Vibration Reduction) image stabilization
Vibration Reduction, engineered specifically for each VR Nikkor lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper images.
7 Extra-low Dispersion (ED) elements
Offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture settings.
Nano Crystal Coat
Further reduces ghosting and flare for even greater image clarity.
Nikon Super Integrated Coating (SIC)
Enhances light transmission and offers superior color consistency and reduced flare.
Exclusive Nikon Silent Wave Motor (SWM)
Enables fast, accurate, and quiet autofocus.
Rounded 9-blade diaphragm
Renders more natural appearance of out-of-focus image elements.
Price: USD 2,245.95
17 used & new available from USD 1,999.99
Internal Focus (IF)
Provides fast and quiet autofocus without changing the length of the lens, retaining subjectworking distance through the focus range.
Focuses to 4.6 feet
Close focusing provided throughout the entire zoom range for extended versatility.
M/A focus mode switch
Enables quick response to changing situations between manual and autofocus operation.
Flower-shaped lens hood
Included HB-48 lens hood–shades the objective from unwanted, image-degrading light.
Review Nikon 70-200mm 2.8G ED VR Lens For Nikon best price
“Getting the new Nikon 70-200mm f/2.8G VR II will allow you to greatly improve the photos you can capture. At 200mm, you would be shooting f/5.6 with your Nikon 18-200mm. With this 70-200mm f/2.8, you can shoot at f/2.8. You can convert this 2-stop difference to a shutter speed that is 4x faster than what you can use with the 18-200mm. In addition, the focusing will be much faster with the 70-200mm f/2.8 than with the 18-200mm.
Given the minimal information you provided, here are some general tips and settings I can share. Set your D90 ISO to anywhere from ISO 800-1600 (higher value means higher shutter speed but a bit more grainy photo), set your aperture at f/2.8, and your shutter speed accordingly and you should be able to get some good action shots using the 70-200mm f/2.8. I generally shoot in manual settings but I am uncertain as to the light condition where you will be shooting. So the tip I am giving is to go aperture priority at f/2.8. This is intended to give you the fastest shutter speed possible to freeze the action.
Get in close as much as you can to the action. Shoot with the sun at your back or at your side rather than in front. Set your D90 to fire continuously in burst if needed and desired. Good luck!”
“The only thing I’d really add is a perspective from a DX-only user like myself. As I only use DX digital and have absolutely no use for full-frame, I have no intention of buying this lens for now, as there really isn’t anything wrong with the current lens on DX other than it being slightly prone to flare in backlit situations (the nano-crystal element in the new lens should help with that). The old 70-200 is fine from corner to corner on DX.
I strongly believe this lens is a must for any FX users as my occasional forays into using the original version of the lens with 35mm film show that beyond 150mm, the old 70-200 lens isn’t up to the task on a full-frame camera. Acceptable for top level sports photography as the corners aren’t usually important. Not acceptable in commercial or landscape photography. The key thing people need to be aware of in comparing the two lenses is that it is NOT POSSIBLE to make the corners on the old 70-200 lens truly sharp at any aperture at 200mm with full-frame, as, just beyond the DX circle, it very abruptly softens; you can’t just do like you did on the old 80-200 D series and stop down to f8, as what happens instead is that no matter where you are, f2.8 or f22, the result is the same, super-sharp in the middle, positively fuzzy in the corners. The new lens restores that corner-to-corner performance as well as adding resistance to flare. ”
“Very helpful review – thanks for the info!
This may be a question I could as easily submit to Google, but since you seem to already have a good knowledge of the subject -
How does the “effective field of view” compare at close distance to the original VR-1? I do use the 70-200 for portraits and am not sure if it’s a concern. I can and will probably rent both for a comparison, but wanted to know what others’ experience was too. Thanks! – ca”
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